Riding the Black Cockatoo & Company Sin Representation Essay Example for Free

Riding the Black Cockatoo Company Sin Representation turn upWords are powerful tools that can be used to represent people and shape opinions somewhat others. In a similar way, certain actions and our treatment of other cultures demonstrate our understandings and acceptance of, different beliefs and cultures. dickens texts that support these statements and include representations of autochthonous Australian culture and beliefs are Riding the Black Cockatoo by bath Danalis and Company Sin by John Butler Trio.John Danalis wrote a captivating novel round his journey towards righting the wrongs his family committed, by reversive an endemic skull that was kept on his familys mantelpiece. Throughout his writing, John portrays the disposition of oneness towards the land of the Indigenous community and his need to come to terms with all the connections he neer knew existed.Company Sin symbolises a young mans ignorance and indifference towards the Indigenous culture. Ben naivel y participates in a mining companys desecration of an Indigenous Australian burial site. The words in the poetry portray his struggle with dreams and what these dreams actually embody.Symbolic use of words and verbiage creates vivid images of the song and novel in the audiences minds. Through representations in the text readers wear been positioned to perceive qualities of Indigenous Australians heritage, spi rituality and their relationship with mother earth.In Riding the Black Cockatoo, words and language are used purposefully to demonstrate the significance of returning Indigenous Australians grind away to the tribal elders for burial.Danalis realises through his journey of reconciliation that for Indigenous Australians, the disturbance or non-burial of bones means that a soul remains in a state of unrest. Current generations know that it is their spiritual duty to command that bones are returned home, to the earth. Danalis begins to realise that Indigenous Australians feel death very differently to dust coat folk.The handover of the skull is significant for both Danalis and the Indigenous people. The Indigenous community worked with Danalis and did not condemn him for what his family had done with the skull. They even include them in the ceremony and both sides working through some sensitive issues, with the common aim of returning Mary to the rightful place the earth.The Indigenous community led Danalis through a learning answer about the rights of their ancestors and the need for the land to be a central part of their spirituality. With this, the land is positioned to be the religious resting place for those who have passed on.The relationship Danalis developed with the Indigenous community and being invited to participate in the ritual ceremony, gave him an insight into Indigenous cultural traditions.Indigenous Australian culture believes that when a person dies, their spirit goes backwards to the ancestral land, when the correct ceremonial ri tuals are conducted. This ceremony encompasses many traditions for the clan, such as the cloak of opossum fur and the Yorta Yorta song man making a Cockatoo cry We waited KAR-AAK There was a clack-clack of clapping sticks, and because another KAR-AAK His black cockatoo cries cascaded down the stairwells, echoed off overhead walkway escarpments and bounced through the air-conditioning ducts.This linkage of nature connotes Indigenous Australians strong connections of culture with land. It shows they treat nature with full respect and incorporate it into their live ons. ceremonial objects specific for the ceremonies come from the land. Danalis describes Bob when requiring a smoking bowl, called a coolamon and not having one there, saying Ill make one Bob finds the bark needed, pulls it off and makes the bowl. This demonstrates their strong reliance on nature. Through his verbal description of this event, Danalis was sure that they would have to go without a bowl for the ceremony an d was surprised by Bobs actions, in being able to create what they needed from the land.Indigenous Australians do not own the land. They curb it as part of them and that it is their duty to respect and look after their mother earth. They use the land to live on, to gain food from, to make items they need and then to return their ancestors to the earth, when they pass on. This is a different design to the culture snow-white Australians have grown up with. Danalis has to explore his own prejudices and realises that he lives in a nation with some, who are trying to come to terms with both heritages, cultures and beliefs.Indigenous Australians bury their ancestors on what median(a) Australians see as prime land, where profits could be made from farming or mining. Indigenous Australians do this, as they believe they can enter the spirit world and become one with their mother the demesne Calling the earth their Mother, solidifies Indigenous Australians strong connectivity of their sp iritual heritage with the land. This is something that White Australians do not have in their heritage. The Indigenous people care for and love the earth they live on. They have a spiritual connection to it, not just a physical one. Simply, this is not part of how White Australians view the land and it is not part of their heritage.